Update mixer documentation.
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@ -130,7 +130,7 @@ Sound sources (audio files) are represented by <i>regions</i>. Any number of reg
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<h3 id="n:1.5.3.">1.5.3. Unlimited tracks</h3>
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<h3 id="n:1.5.3.">1.5.3. Unlimited tracks</h3>
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<p>
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Tracks in a DAW are unlike tracks on tape in that a single track can contain more than one channel of audio. Each audio track has its own record, mute, solo, and gain, as well an active take and any number of inactive takes. A may also have any number of annotation and control sequences associated with it.
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Tracks in a DAW are unlike tracks on tape in that a single track can contain more than one channel of audio. Each audio track has its own record, mute, solo, and gain, as well an active take and any number of inactive takes. A track may also have any number of annotation and control sequences associated with it.
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</p>
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</p>
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<h3 id="n:1.5.4.">1.5.4. Unlimited takes</h3>
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<h3 id="n:1.5.4.">1.5.4. Unlimited takes</h3>
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<p>
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@ -122,11 +122,11 @@
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::: Unlimited tracks
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::: Unlimited tracks
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Tracks in a DAW are unlike tracks on tape in that a single track can contain
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Tracks in a DAW are unlike tracks on tape in that a single track can
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more than one channel of audio. Each audio track has its own record, mute,
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contain more than one channel of audio. Each audio track has its own
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solo, and gain, as well an active take and any number of inactive takes. A
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record, mute, solo, and gain, as well an active take and any number
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may also have any number of annotation and control sequences associated with
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of inactive takes. A track may also have any number of annotation
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it.
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and control sequences associated with it.
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::: Unlimited takes
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::: Unlimited takes
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@ -232,11 +232,11 @@
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translates into the DSP workload being spread across multiple CPU
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translates into the DSP workload being spread across multiple CPU
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cores.
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cores.
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Since the Mixer is an entirely separate unit, you may use any JACK capable
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Since the Mixer is an entirely separate unit, you may use any JACK
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mixer client you want instead of, or in myriad combination with, the Non-DAW
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capable mixer client you want instead of, or in myriad combination
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Mixer. The one called LiveMix works well, but lacks many features of Non's
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with, the Non-DAW Mixer. The one called LiveMix works well, but
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mixer. All operations on the mixer affect the current mix set state only
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lacks many features of Non's mixer. All operations on the mixer
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and are not journaled.
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affect the current mix set state only and are not journaled.
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The mixer's design is modular, with all DSP occurring in discrete
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The mixer's design is modular, with all DSP occurring in discrete
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modules. One module hosts LADSPA plugins and the mixer is capable of
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modules. One module hosts LADSPA plugins and the mixer is capable of
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@ -155,7 +155,7 @@ with the program.
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</div>
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</div>
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<h4 id="n:1.1.3.1.">1.1.3.1. Settings</h4>
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<h4 id="n:1.1.3.1.">1.1.3.1. Settings</h4>
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<p>
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<p>
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Project specific settings are found in the Project/Settings submenu.
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Project specific settings are found in the <tt>Project/Settings</tt> submenu.
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</p>
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</p>
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<h3 id="n:1.1.4.">1.1.4. Transport</h3>
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<h3 id="n:1.1.4.">1.1.4. Transport</h3>
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<center><div class="fig image"><table id="Fig.1.5" border=1>
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<center><div class="fig image"><table id="Fig.1.5" border=1>
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@ -85,7 +85,7 @@
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:::: Settings
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:::: Settings
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Project specific settings are found in the Project\/Settings submenu.
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Project specific settings are found in the `Project\/Settings` submenu.
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::: Transport
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::: Transport
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@ -21,21 +21,29 @@ January 21, 2010<br>
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<li><a href="#n:1.">1. User Manual</a>
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<li><a href="#n:1.">1. User Manual</a>
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<ul><li><a href="#n:1.1.">1.1. The Mixer</a>
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<ul><li><a href="#n:1.1.">1.1. The Mixer</a>
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<ul><li><a href="#n:1.1.1.">1.1.1. Mixer Strip</a>
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<ul><li><a href="#n:1.1.1.">1.1.1. Display Options</a>
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<ul><li><a href="#n:1.1.1.1.">1.1.1.1. Signal Processing</a>
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<li><a href="#n:1.1.2.">1.1.2. Mixer Strips</a>
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<ul><li><a href="#n:1.1.1.1.1.">1.1.1.1.1. Signal Chain</a>
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<ul><li><a href="#n:1.1.2.1.">1.1.2.1. Navigation</a>
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<ul><li><a href="#n:1.1.1.1.1.1.">1.1.1.1.1.1. Modules</a>
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<li><a href="#n:1.1.2.2.">1.1.2.2. Control</a>
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<ul><li><a href="#n:1.1.1.1.1.1.1.">1.1.1.1.1.1.1. Module Parameter Editor</a>
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<li><a href="#n:1.1.2.3.">1.1.2.3. Signal Chain</a>
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<li><a href="#n:1.1.1.1.1.1.2.">1.1.1.1.1.1.2. Controls</a>
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<ul><li><a href="#n:1.1.2.3.1.">1.1.2.3.1. Modules</a>
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<ul><li><a href="#n:1.1.1.1.1.1.2.1.">1.1.1.1.1.1.2.1. Control Voltages</a>
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<ul><li><a href="#n:1.1.2.3.1.1.">1.1.2.3.1.1. Manipulation</a>
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</ul></ul></ul></ul><li><a href="#n:1.1.1.2.">1.1.1.2. JACK I/O</a>
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<li><a href="#n:1.1.2.3.1.2.">1.1.2.3.1.2. Module Parameter Editor</a>
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<li><a href="#n:1.1.2.3.1.3.">1.1.2.3.1.3. Controls</a>
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<ul><li><a href="#n:1.1.2.3.1.3.1.">1.1.2.3.1.3.1. Control Voltages</a>
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</ul></ul></ul></ul><li><a href="#n:1.1.3.">1.1.3. Projects</a>
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<ul><li><a href="#n:1.1.3.1.">1.1.3.1. JACK I/O</a>
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</ul></ul></ul></ul></ul><hr></div>
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</ul></ul></ul></ul></ul><hr></div>
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<h1 id="n:1.">1. User Manual</h1>
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<h1 id="n:1.">1. User Manual</h1>
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@ -51,7 +59,7 @@ January 21, 2010<br>
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The Non-Mixer is a stand-alone audio mixer, utilizing JACK as an audio subsystem. At the time of writing, the architecture of Non-Mixer is unique. By making the mixer stand-alone, concepts such as busses, sends, and inserts are eliminated, as the same goals can be achieved by simply adding more strips to the mixer.
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The Non-Mixer is a stand-alone audio mixer, utilizing JACK as an audio subsystem. At the time of writing, the architecture of Non-Mixer is unique. By making the mixer stand-alone, concepts such as busses, sends, and inserts are eliminated, as the same goals can be achieved by simply adding more strips to the mixer.
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</p>
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</p>
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<p>
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<p>
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Start by creating a new project.
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Start by creating a new project (menu item <tt>Project<i>New</i></tt>.
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</p>
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</p>
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<center><div class="fig image"><table id="Fig.1.2" border=1>
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<center><div class="fig image"><table id="Fig.1.2" border=1>
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<caption>
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<caption>
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@ -61,7 +69,13 @@ Start by creating a new project.
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<tr><td><img src="new-project.png" alt="fig. 1.2"></td></tr>
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<tr><td><img src="new-project.png" alt="fig. 1.2"></td></tr>
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</table></div></center>
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</table></div></center>
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<p>
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<p>
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<h3 id="n:1.1.1.">1.1.1. Mixer Strip</h3>
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After the project has been created. Hit <tt>a</tt> or choose <tt>Mixer/Add Strip</tt> from the menu to add a new strip to the mixer.
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</p>
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<h3 id="n:1.1.1.">1.1.1. Display Options</h3>
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<p>
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The display options, found in the <tt>Options/Display</tt> submenu may be adjusted to suit your needs. Set the color scheme, widget style, and other graphic options to your liking. These options are global and affect all projects.
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</p>
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<h3 id="n:1.1.2.">1.1.2. Mixer Strips</h3>
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<center><div class="fig image"><table id="Fig.1.3" border=1>
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<center><div class="fig image"><table id="Fig.1.3" border=1>
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<caption>
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<caption>
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<strong>Fig. 1.3.</strong> Mixer Strip
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<strong>Fig. 1.3.</strong> Mixer Strip
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@ -76,17 +90,25 @@ Each mixer strip has a name and color, each of which may be defined by the user.
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Strips start out in <i>narrow</i> mode, with the <i>fader</i> view enabled. Click the desired button to toggle the mode or view.
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Strips start out in <i>narrow</i> mode, with the <i>fader</i> view enabled. Click the desired button to toggle the mode or view.
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</p>
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</p>
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<p>
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<p>
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The fader view comprises a large gain control and digital peak meter indicator. These are automatically connected to the default gain and meter modules of the strips signal chain.
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<p>
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The fader view comprises a large gain control and digital peak meter indicator. These are automatically connected to the default gain and meter modules of the strip's signal chain.
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</p>
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</p>
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<p>
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<p>
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To see how an audio signal traveling through this strip will be processed, switch to its <i>signal</i> view.
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To see how an audio signal traveling through this strip will be processed, switch to its <i>signal</i> view.
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</p>
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</p>
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<h4 id="n:1.1.1.1.">1.1.1.1. Signal Processing</h4>
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<h4 id="n:1.1.2.1.">1.1.2.1. Navigation</h4>
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<h5 id="n:1.1.1.1.1.">1.1.1.1.1. Signal Chain</h5>
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<p>
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A strip is focused when you click on it. Focus can be removed back and forth between strips with <tt>Tab</tt> and <tt>Shift-Tab</tt>.
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</p>
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<h4 id="n:1.1.2.2.">1.1.2.2. Control</h4>
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<p>
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The focused strip can be moved in the display order via the <tt>[</tt> and <tt>]</tt> keys. <tt>Delete</tt> removes a strip (with confirmation dialog). <tt>n</tt> and <tt>w</tt> set the focused strip's width to <i>narrow</i> or <i>wide</i>, respectively, and <tt>f</tt> and <tt>s</tt> switch between <i>fader</i> and <i>signal</i> views. The strip's context menu can be invoked without the mouse by hitting the <tt>Menu</tt> key (assuming your keyboard has one).
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</p>
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<h4 id="n:1.1.2.3.">1.1.2.3. Signal Chain</h4>
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<p>
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<p>
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The signal chain view of a mixer strip provides a way to view and manipulate the signal processing of a mixer strip.
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The signal chain view of a mixer strip provides a way to view and manipulate the signal processing of a mixer strip.
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</p>
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</p>
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<h6 id="n:1.1.1.1.1.1.">1.1.1.1.1.1. Modules</h6>
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<h5 id="n:1.1.2.3.1.">1.1.2.3.1. Modules</h5>
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<center><div class="fig image"><table id="Fig.1.4" border=1>
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<center><div class="fig image"><table id="Fig.1.4" border=1>
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<caption>
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<caption>
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<strong>Fig. 1.4.</strong> Modules
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<strong>Fig. 1.4.</strong> Modules
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<tr><td><img src="modules.png" alt="fig. 1.4"></td></tr>
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<tr><td><img src="modules.png" alt="fig. 1.4"></td></tr>
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</table></div></center>
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</table></div></center>
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<p>
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<p>
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All signal processing in Non Mixer occurs in <i>Modules</i>. Modules are
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All signal processing in Non Mixer occurs in <i>Modules</i>. Modules are signal processing abstractions providing ports for audio and control I/O and, in addition, some simple user interface. Sink and source modules carry audio out of and into JACK.
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</p>
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</p>
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<p>
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<p>
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<p>
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Modules are displayed as named blocks. Some modules (e.g. the Meter module) may have additional GUI components.
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Modules are displayed as named blocks. Some modules may have additional GUI components.
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</p>
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</p>
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<p>
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Each module has zero or more audio I/O ports and zero or more control ports. Audio routing between modules is handled automatically. Modules with mono audio configurations (one channel in, one channel out) can be automatically adjusted to support any number of discrete channels. Modules with more (related) channels, however, introduce restrictions on the order in which modules can be chained.
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</p>
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<p>
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<p>
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An indicator in the upper left-hand corner of each module block indicates whether the module has any parameters bound to controls.
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An indicator in the upper left-hand corner of each module block indicates whether the module has any parameters bound to controls.
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</p>
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</p>
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@ -120,16 +143,20 @@ Non Mixer has several built-in modules. They are:
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<dt><em>Plugin</em></dt>
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<dt><em>Plugin</em></dt>
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<dd>Hosts a LADSPA plugin</dd>
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<dd>Hosts a LADSPA plugin</dd>
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</dl>
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</dl>
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<h6 id="n:1.1.2.3.1.1.">1.1.2.3.1.1. Manipulation</h6>
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<p>
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<p>
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Left-clicking on a module brings up the Module Parameter Editor.
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Left-clicking on a module brings up a Module Parameter Editor window for the selected module.
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</p>
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</p>
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<p>
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<p>
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Shift+Left-clicking on a module brings up a menu which allows you to pick a new module to insert before this one in the chain.
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Right-clicking on a module brings up a context menu allowing you manipulate the module, as well as to pick a new module to insert before the selected one in the chain.
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</p>
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<p>
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Middle-clicking on a module toggles its activation state (the audio signal will bypass inactive modules).
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</p>
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</p>
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Control+Right-clicking on a module causes it to be removed from the chain (modules added by default cannot be removed).
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Control+Right-clicking on a module causes it to be removed from the chain (modules added by default cannot be removed).
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</p>
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</p>
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<h7 id="n:1.1.1.1.1.1.1.">1.1.1.1.1.1.1. Module Parameter Editor</h7>
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<h6 id="n:1.1.2.3.1.2.">1.1.2.3.1.2. Module Parameter Editor</h6>
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<center><div class="fig image"><table id="Fig.1.5" border=1>
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<center><div class="fig image"><table id="Fig.1.5" border=1>
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<caption>
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<caption>
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<strong>Fig. 1.5.</strong> Module Parameter Editor
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<strong>Fig. 1.5.</strong> Module Parameter Editor
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@ -157,7 +184,7 @@ The Module Parameter Editor is used to alter the values of a module's parameters
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<p>
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<p>
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Underneath each control is a bind button. Clicking adds a new control to the chain's <i>Controls</i> view and binds it to the parameter in question. For simplicity, only one control at a time may be bound to a given parameter.
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Underneath each control is a bind button. Clicking adds a new control to the chain's <i>Controls</i> view and binds it to the parameter in question. For simplicity, only one control at a time may be bound to a given parameter.
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</p>
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</p>
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<h7 id="n:1.1.1.1.1.1.2.">1.1.1.1.1.1.2. Controls</h7>
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<h6 id="n:1.1.2.3.1.3.">1.1.2.3.1.3. Controls</h6>
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<center><div class="fig image"><table id="Fig.1.8" border=1>
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<center><div class="fig image"><table id="Fig.1.8" border=1>
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<caption>
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<caption>
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<strong>Fig. 1.8.</strong> Control View
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<strong>Fig. 1.8.</strong> Control View
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<tr><td><img src="controls.png" alt="fig. 1.8"></td></tr>
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<tr><td><img src="controls.png" alt="fig. 1.8"></td></tr>
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</table></div></center>
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</table></div></center>
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<p>
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<p>
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The control view of a chain groups together all of the controls bound to parameters of modules in that chain. The default mode of controls is <i>Manual</i>. Right click on a control to bring up a menu which will allow you to select one of the available control I/O methods to use. When <i>Control Voltage</i> (CV) is selected, a CV input port will be created on the containing mixer strip's JACK client. The control will now accept values from that input. A control bound and configured in this way can then be connected to the output of a Non-DAW control sequence using your favorite connection manager.
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</p>
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<div class=admonition>
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<div class=admonition>
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<table width=100%>
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<table width=100%>
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<tr><td>NOTE:
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<tr><td>NOTE:
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achieve finer resolution.
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achieve finer resolution.
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</td></table>
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</td></table>
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</div>
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</div>
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<h8 id="n:1.1.1.1.1.1.2.1.">1.1.1.1.1.1.2.1. Control Voltages</h8>
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<h7 id="n:1.1.2.3.1.3.1.">1.1.2.3.1.3.1. Control Voltages</h7>
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<p>
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<p>
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The control voltage concept should be familiar to anyone who has experience with pre-MIDI hardware synthesizers designs. MIDI definitely has its advantages, but MIDI control data is multiplexed and connecting one MIDI control to a parameter usually involves configuring settings on both ends of the connection in order to separate the control data streams.
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The control voltage concept should be familiar to anyone who has experience with analog modular synthesizers. MIDI, while having definite advantages in many respects, multiplexes control data in such a way as to make connecting one MIDI control to a parameter involve a significant inconvenience, usually requiring the adjustment of settings on both ends of the connection in order to separate the control data streams.
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</p>
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</p>
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<p>
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Control Voltages provide a simple 1:1 source to sink relationship and offer much higher resolution, both in time and value, than can be natively expressed through MIDI. The chief advantage of CV in the context of Non-DAW is the ease with which an control sequence can be connected to a mixer module parameter. If you have a MIDI controller that you'd like to use to control parameters of Non-Mixer, consider <i>jm2cv</i>, a JACK MIDI to Control Voltage daemon which was written by Peter Nelson specifically for use with Non-Mixer. jm2cv can be acquired by:
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Control Voltages, on the other hand, provide a simple 1:1 source to sink relationship and offer much higher resolution, both in time and value, than can be natively expressed through MIDI. The chief advantage of CV in the context of Non-DAW is the ease with which an control sequence can be connected to a mixer module parameter. If you have a MIDI controller that you'd like to use to control parameters of Non-Mixer, consider <i>jm2cv</i>, a JACK MIDI to Control Voltage daemon which was written by Peter Nelson specifically for use with Non-Mixer. jm2cv can be acquired by:
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</p>
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</p>
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<div class="fig example"><table width=100%><tr><td><pre>
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<div class="fig example"><table width=100%><tr><td><pre>
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git clone git://fuzzle.org/jm2cv.git
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git clone git://fuzzle.org/jm2cv.git
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</pre></td></tr>
|
</pre></td></tr>
|
||||||
</table></div>
|
</table></div>
|
||||||
<h4 id="n:1.1.1.2.">1.1.1.2. JACK I/O</h4>
|
<h3 id="n:1.1.3.">1.1.3. Projects</h3>
|
||||||
|
<p>
|
||||||
|
A Non-Mixer project is a directory where Non-Mixer keeps the strip settings project specific settings, some meta-data. A project is completely self-contained. You can rename a project as simply as:
|
||||||
|
</p>
|
||||||
|
<div class="fig example"><table width=100%><tr><td><pre>
|
||||||
|
$ mv Project-A Project-B
|
||||||
|
</pre></td></tr>
|
||||||
|
</table></div>
|
||||||
|
<h4 id="n:1.1.3.1.">1.1.3.1. JACK I/O</h4>
|
||||||
<p>
|
<p>
|
||||||
Each mixer strip is presented as a separate JACK "client". This helps to avoid the necessity of internally duplicating JACK's routing logic and, with JACK2, permits the possibility of parallel execution of mixer strip signal chains.
|
Each mixer strip is presented as a separate JACK "client". This helps to avoid the necessity of internally duplicating JACK's routing logic and, with JACK2, permits the possibility of parallel execution of mixer strip signal chains.
|
||||||
</p>
|
</p>
|
||||||
|
|
|
@ -18,15 +18,21 @@
|
||||||
as busses, sends, and inserts are eliminated, as the same goals can
|
as busses, sends, and inserts are eliminated, as the same goals can
|
||||||
be achieved by simply adding more strips to the mixer.
|
be achieved by simply adding more strips to the mixer.
|
||||||
|
|
||||||
Start by creating a new project.
|
Start by creating a new project (menu item `Project/New`).
|
||||||
|
|
||||||
/ New Project
|
/ New Project
|
||||||
< new-project.png
|
< new-project.png
|
||||||
|
|
||||||
After the project has been created. Hit `a` or choose `Mixer/Add
|
After the project has been created. Hit `a` or choose `Mixer\/Add
|
||||||
Strip` from the menu to add a new strip to the mixer.
|
Strip` from the menu to add a new strip to the mixer.
|
||||||
|
|
||||||
::: Mixer Strip
|
::: Display Options
|
||||||
|
|
||||||
|
The display options, found in the `Options\/Display` submenu may be adjusted
|
||||||
|
to suit your needs. Set the color scheme, widget style, and other graphic
|
||||||
|
options to your liking. These options are global and affect all projects.
|
||||||
|
|
||||||
|
::: Mixer Strips
|
||||||
|
|
||||||
/ Mixer Strip
|
/ Mixer Strip
|
||||||
< single-strip.png
|
< single-strip.png
|
||||||
|
@ -39,36 +45,49 @@
|
||||||
Strips start out in /narrow/ mode, with the /fader/ view
|
Strips start out in /narrow/ mode, with the /fader/ view
|
||||||
enabled. Click the desired button to toggle the mode or view.
|
enabled. Click the desired button to toggle the mode or view.
|
||||||
|
|
||||||
|
Each strip has a context menu which lists the available options
|
||||||
|
and their associated key-bindings. To bring up the context menu, `Right
|
||||||
|
|
||||||
The fader view comprises a large gain control and digital peak meter
|
The fader view comprises a large gain control and digital peak meter
|
||||||
indicator. These are automatically connected to the default gain and
|
indicator. These are automatically connected to the default gain and
|
||||||
meter modules of the strips signal chain.
|
meter modules of the strip's signal chain.
|
||||||
|
|
||||||
To see how an audio signal traveling through this strip will be
|
To see how an audio signal traveling through this strip will be
|
||||||
processed, switch to its /signal/ view.
|
processed, switch to its /signal/ view.
|
||||||
|
|
||||||
:::: Signal Processing
|
:::: Navigation
|
||||||
|
|
||||||
|
A strip is focused when you click on it. Focus can be removed back
|
||||||
|
and forth between strips with `Tab` and `Shift-Tab`.
|
||||||
|
|
||||||
::::: Signal Chain
|
:::: Control
|
||||||
|
|
||||||
|
The focused strip can be moved in the display order via the `[` and
|
||||||
|
`]` keys. `Delete` removes a strip (with confirmation dialog). `n`
|
||||||
|
and `w` set the focused strip's width to /narrow/ or /wide/,
|
||||||
|
respectively, and `f` and `s` switch between /fader/ and /signal/
|
||||||
|
views. The strip's context menu can be invoked without the mouse by
|
||||||
|
hitting the `Menu` key (assuming your keyboard has one).
|
||||||
|
|
||||||
|
:::: Signal Chain
|
||||||
|
|
||||||
The signal chain view of a mixer strip provides a way to view and
|
The signal chain view of a mixer strip provides a way to view and
|
||||||
manipulate the signal processing of a mixer strip.
|
manipulate the signal processing of a mixer strip.
|
||||||
|
|
||||||
:::::: Modules
|
::::: Modules
|
||||||
|
|
||||||
/ Modules
|
/ Modules
|
||||||
< modules.png
|
< modules.png
|
||||||
|
|
||||||
All signal processing in Non Mixer occurs in /Modules/. Modules are
|
All signal processing in Non Mixer occurs in /Modules/. Modules are
|
||||||
|
|
||||||
signal processing abstractions providing ports for audio and control
|
signal processing abstractions providing ports for audio and control
|
||||||
I/O and, in addition, some simple user interface. Sink and source
|
I\/O and, in addition, some simple user interface. Sink and source
|
||||||
modules carry audio out of and into JACK.
|
modules carry audio out of and into JACK.
|
||||||
|
|
||||||
Modules are displayed as named blocks. Some modules may have
|
Modules are displayed as named blocks. Some modules (e.g. the Meter
|
||||||
additional GUI components.
|
module) may have additional GUI components.
|
||||||
|
|
||||||
Each module has zero or more audio I/O ports and zero or more
|
Each module has zero or more audio I\/O ports and zero or more
|
||||||
control ports. Audio routing between modules is handled
|
control ports. Audio routing between modules is handled
|
||||||
automatically. Modules with mono audio configurations (one channel
|
automatically. Modules with mono audio configurations (one channel
|
||||||
in, one channel out) can be automatically adjusted to support any
|
in, one channel out) can be automatically adjusted to support any
|
||||||
|
@ -92,21 +111,28 @@
|
||||||
= Plugin
|
= Plugin
|
||||||
= Hosts a LADSPA plugin
|
= Hosts a LADSPA plugin
|
||||||
|
|
||||||
Left-clicking on a module brings up the Module Parameter Editor.
|
:::::: Manipulation
|
||||||
|
|
||||||
Shift+Left-clicking on a module brings up a menu which allows you to
|
Left-clicking on a module brings up a Module Parameter Editor window
|
||||||
pick a new module to insert before this one in the chain.
|
for the selected module.
|
||||||
|
|
||||||
|
Right-clicking on a module brings up a context menu allowing you
|
||||||
|
manipulate the module, as well as to pick a new module to insert
|
||||||
|
before the selected one in the chain.
|
||||||
|
|
||||||
|
Middle-clicking on a module toggles its activation state (the audio
|
||||||
|
signal will bypass inactive modules).
|
||||||
|
|
||||||
Control+Right-clicking on a module causes it to be removed from the
|
Control+Right-clicking on a module causes it to be removed from the
|
||||||
chain (modules added by default cannot be removed).
|
chain (modules added by default cannot be removed).
|
||||||
|
|
||||||
::::::: Module Parameter Editor
|
:::::: Module Parameter Editor
|
||||||
|
|
||||||
/ Module Parameter Editor
|
/ Module Parameter Editor
|
||||||
< gverb-parameters-knobs.png
|
< gverb-parameters-knobs.png
|
||||||
|
|
||||||
The Module Parameter Editor is used to alter the values of a
|
The Module Parameter Editor is used to alter the values of a
|
||||||
module's parameters, and, further more, to bind its parameters to
|
module's parameters, and in addition, to bind its parameters to
|
||||||
controls. A menu button in the upper left-hand corner allows you to
|
controls. A menu button in the upper left-hand corner allows you to
|
||||||
select between knob, vertical slider and horizontal slider controls.
|
select between knob, vertical slider and horizontal slider controls.
|
||||||
|
|
||||||
|
@ -121,7 +147,7 @@
|
||||||
in question. For simplicity, only one control at a time may be bound
|
in question. For simplicity, only one control at a time may be bound
|
||||||
to a given parameter.
|
to a given parameter.
|
||||||
|
|
||||||
::::::: Controls
|
:::::: Controls
|
||||||
|
|
||||||
/ Control View
|
/ Control View
|
||||||
< controls.png
|
< controls.png
|
||||||
|
@ -129,12 +155,12 @@
|
||||||
The control view of a chain groups together all of the controls
|
The control view of a chain groups together all of the controls
|
||||||
bound to parameters of modules in that chain. The default mode of
|
bound to parameters of modules in that chain. The default mode of
|
||||||
controls is /Manual/. Right click on a control to bring up a menu
|
controls is /Manual/. Right click on a control to bring up a menu
|
||||||
which will allow you to select one of the available control I/O
|
which will allow you to select one of the available control I\/O
|
||||||
methods to use. When /Control Voltage/ (CV) is selected, a CV input
|
methods to use. When /Control Voltage/ (CV) is selected, a CV input
|
||||||
port will be created on the containing mixer strip's JACK
|
port will be created on the containing mixer strip's JACK
|
||||||
client. The control will now accept values from that input. A
|
client. The control will now accept values from that input. A
|
||||||
control bound and configured in this way can then be connected to
|
control bound and configured in this way can then be connected to
|
||||||
the output of Non-DAW a control sequence using your favorite
|
the output of a Non-DAW control sequence using your favorite
|
||||||
connection manager.
|
connection manager.
|
||||||
|
|
||||||
{ NOTE:
|
{ NOTE:
|
||||||
|
@ -142,27 +168,36 @@
|
||||||
{ events. Hold down the `Ctrl` key while scrolling the mousewheel to
|
{ events. Hold down the `Ctrl` key while scrolling the mousewheel to
|
||||||
{ achieve finer resolution.
|
{ achieve finer resolution.
|
||||||
|
|
||||||
:::::::: Control Voltages
|
::::::: Control Voltages
|
||||||
|
|
||||||
The control voltage concept should be familiar to anyone who has
|
The control voltage concept should be familiar to anyone who has
|
||||||
experience with pre-MIDI hardware synthesizers designs. MIDI
|
experience with analog modular synthesizers. MIDI, while having
|
||||||
definitely has its advantages, but MIDI control data is multiplexed
|
definite advantages in many respects, multiplexes control data in
|
||||||
and connecting one MIDI control to a parameter usually involves
|
such a way as to make connecting one MIDI control to a parameter
|
||||||
configuring settings on both ends of the connection in order to
|
involve a significant inconvenience, usually requiring the
|
||||||
|
adjustment of settings on both ends of the connection in order to
|
||||||
separate the control data streams.
|
separate the control data streams.
|
||||||
|
|
||||||
Control Voltages provide a simple 1:1 source to sink relationship
|
Control Voltages, on the other hand, provide a simple 1:1 source to
|
||||||
and offer much higher resolution, both in time and value, than can
|
sink relationship and offer much higher resolution, both in time and
|
||||||
be natively expressed through MIDI. The chief advantage of CV in the
|
value, than can be natively expressed through MIDI. The chief
|
||||||
context of Non-DAW is the ease with which an control sequence can be
|
advantage of CV in the context of Non-DAW is the ease with which an
|
||||||
connected to a mixer module parameter. If you have a MIDI controller
|
control sequence can be connected to a mixer module parameter. If
|
||||||
that you'd like to use to control parameters of Non-Mixer, consider
|
you have a MIDI controller that you'd like to use to control
|
||||||
/jm2cv/, a JACK MIDI to Control Voltage daemon which was written by
|
parameters of Non-Mixer, consider /jm2cv/, a JACK MIDI to Control
|
||||||
Peter Nelson specifically for use with Non-Mixer. jm2cv can be
|
Voltage daemon which was written by Peter Nelson specifically for
|
||||||
acquired by:
|
use with Non-Mixer. jm2cv can be acquired by:
|
||||||
|
|
||||||
> git clone git://fuzzle.org/jm2cv.git
|
> git clone git://fuzzle.org/jm2cv.git
|
||||||
|
|
||||||
|
::: Projects
|
||||||
|
|
||||||
|
A Non-Mixer project is a directory where Non-Mixer keeps the strip
|
||||||
|
settings, project specific settings, and some meta-data. A project
|
||||||
|
is completely self-contained. You can rename a project as simply as:
|
||||||
|
|
||||||
|
> $ mv Project-A Project-B
|
||||||
|
|
||||||
:::: JACK I/O
|
:::: JACK I/O
|
||||||
|
|
||||||
Each mixer strip is presented as a separate JACK "client". This
|
Each mixer strip is presented as a separate JACK "client". This
|
||||||
|
|
Loading…
Reference in New Issue