From d0477d27d24f89d528c546befe6b48e05f820d30 Mon Sep 17 00:00:00 2001 From: Albert Graef Date: Sat, 13 Oct 2018 19:26:03 +0200 Subject: [PATCH] Rework the X-Touch Mini and ONE examples. --- examples/README.md | 4 +- examples/XTouchMini.midizaprc | 150 ++++++++++++++++++++++++--------- examples/XTouchMini2.midizaprc | 110 ------------------------ examples/XTouchONE.midizaprc | 105 ++++++++++++++++++++--- examples/XTouchONE2.midizaprc | 149 -------------------------------- 5 files changed, 204 insertions(+), 314 deletions(-) delete mode 100644 examples/XTouchMini2.midizaprc delete mode 100644 examples/XTouchONE2.midizaprc diff --git a/examples/README.md b/examples/README.md index 7a855a5..e912a98 100644 --- a/examples/README.md +++ b/examples/README.md @@ -11,9 +11,9 @@ This folder contains a couple of sample midizap configurations for different con - [nanoKONTROL2.midizaprc](nanoKONTROL2.midizaprc): fix up the marker keys of the Korg nanoKONTROL2 in Cubase mode for use in Ardour -- [XTouchONE.midizaprc](XTouchONE.midizaprc): map the SCRUB key to the more important SHIFT key which the X-Touch ONE lacks +- [XTouchMini.midizaprc](XTouchMini.midizaprc): adds a bunch of Mackie control functions to make the device more useful in MC mode -- [XTouchONE2.midizaprc](XTouchONE2.midizaprc): an improved config for the X-Touch ONE which turns the SCRUB key into an internal shift key, and offers more advanced configuration options +- [XTouchONE.midizaprc](XTouchONE.midizaprc): adds a bunch of Mackie control functions to make the device more useful in MC mode Other interesting items: diff --git a/examples/XTouchMini.midizaprc b/examples/XTouchMini.midizaprc index fef340b..97ec24a 100644 --- a/examples/XTouchMini.midizaprc +++ b/examples/XTouchMini.midizaprc @@ -1,7 +1,12 @@ -# Mapping for the X-Touch Mini in MC mode which takes care of the most glaring -# issues with this (rather nice) device: (1) no bank change keys, (2) no -# channel selection, and (3) no faders (except for the master fader). +# While the X-Touch Mini is very popular as a Lightroom controller, musicians +# often complain that its Mackie control mode is just too basic. But midizap +# makes it easy to add most of the essential MC functions that are missing, so +# that the unit becomes really usable as a control surface. + +# NOTE: This configuration assumes that the X-Touch Mini is in MC mode, which +# is the case if the MC MODE LED on the right side is lit. If necessary, you +# can switch the device to MC mode by holding the MC key while powering it up. # Copyright (c) 2018 Albert Graef @@ -15,8 +20,8 @@ JACK_PORTS 2 # automatic connections JACK_IN1 X-TOUCH MINI MIDI 1 -JACK_IN2 ardour:mackie control out JACK_OUT1 ardour:mackie control in +JACK_IN2 ardour:mackie control out JACK_OUT2 X-TOUCH MINI MIDI 1 # Pass everything through, except for the translations below. @@ -24,45 +29,77 @@ JACK_OUT2 X-TOUCH MINI MIDI 1 PASSTHROUGH SYSTEM_PASSTHROUGH -# The idea of this mapping is to leave the original bindings mostly untouched, -# and just add few things on top of it. Note that the device, besides the -# encoders and the master faders, has two rows of 8 buttons and 2 buttons on -# the right which are laid out in MC mode as follows: +# The idea of this mapping is to leave the original bindings mostly untouched. +# In order to accommodate the missing MC functions, we add two shifted layers. +# To access these layers, we reassign the first two keys in the bottom row as +# internal shift keys, denoted SHIFT and ALT in the following. -# [CLICK] [SOLO] [TRACK] [SEND] [PAN] [PLUGIN] [EQ] [INST] [MARKER] -# [DROP] [REPLACE] [REW] [FFWD] [LOOP] [STOP] [PLAY] [REC] [NUDGE] +# Note that the device, besides the encoders and the master fader, has two +# rows of 8 buttons and 2 buttons on the right which are laid out in MC mode +# as follows: -# We turn the MC/DROP key into an internal SHIFT key and remap the other keys -# as follows (with the shifted bindings given above and below in parentheses; -# these become active when holding down the MC/SHIFT key): +# [CLICK] [SOLO] [TRACK] [SEND] [PAN] [PLUGIN] [EQ] [INST] [MARKER/A] +# [DROP/MC] [REPLACE] [REW] [FFWD] [LOOP] [STOP] [PLAY] [REC] [NUDGE/B] -# (SELECT) (SELECT) ... (MARKER) -# [CLICK] [SOLO] [TRACK] [SEND] [PAN] [PLUGIN] [EQ] [INST] [BANK LEFT] -# [SHIFT] [REPLACE] [REW] [FFWD] [LOOP] [STOP] [PLAY] [REC] [BANK RIGHT] -# (DROP) (NUDGE) +# This midizap configuration remaps them as follows: -# That is, the shifted REPLACE key makes up for the remapped DROP key, and the -# MARKER and NUDGE keys must now be shifted to get these functions, while the -# unshifted keys are used to change banks. In addition, the eight buttons in -# the top row, when shifted, select the corresponding channel. And last but -# not least, the encoders, when operated while holding down the MC/SHIFT key, -# become the missing faders. +# [CLICK] [SOLO] [TRACK] [SEND] [PAN] [PLUGIN] [EQ] [INST] [BANK LEFT] +# [SHIFT] [ALT] [REW] [FFWD] [LOOP] [STOP] [PLAY] [REC] [BANK RIGHT] + +# Note the two shift keys (SHIFT and ALT) in the lower button row, and the +# bank switch keys on the right. Other than that, the unshifted layer is +# unchanged. On the SHIFT layer, the bindings are as follows: + +# [SELECT] ... [CHAN LEFT] +# [DROP] [REPLACE] [FLIP] [MARKER] [NUDGE] [CHAN RIGHT] + +# Note that the remapped functions (DROP, REPLACE, MARKER, NUDGE) are now +# available as shifted keys in the bottom row. We also added the FLIP key +# there. The shifted keys in the top row are bound to the channel SELECT +# functions. Moreover, our translations for the SHIFT layer also assign the +# master fader to the first channel, like on the X-Touch ONE, and the encoders +# become the eight channel faders. + +# Finally, since Ardour requires some of the keys to be combined with the MC +# SHIFT key to get at some functions (SHIFT + SELECT/MARKER/NUDGE), we provide +# a third ALT layer with those shifted bindings: + +# [^SELECT] ... [UP] +# [LEFT] [RIGHT] [ZOOM] [^MARKER] [^NUDGE] [DOWN] + +# We also threw in some other useful MC keys (cursor and zoom) there. You may +# want to adjust this layer as needed for your DAW program. The SHIFT layer, +# in contrast, should be pretty generic, and work fine as is with most DAWs. [MIDI] -# MC = shift button, with direct feedback +# Note that, as explained in the midizap manual, you can change the SHIFT and +# ALT keys to CapsLock-style keys by removing the RELEASE part of the +# sequence. They will then work as toggles. With the RELEASE sequence, they +# work as momentary switches, i.e., you need to hold them down to invoke a +# shifted function. + +# MC = SHIFT button, with direct feedback D#7 SHIFT ^D#7 RELEASE SHIFT ^D#7 +# ALT button +E7 SHIFT2 ^E7 RELEASE SHIFT2 ^E7 + # A/B buttons on the right = bank left/right C7 A#3 # bank left C#7 B3 # bank right -# shifted A/B buttons = MARKER/NUDGE -^C7 C7 -^C#7 C#7 +# shifted A/B buttons = channel left/right +^C7 C4 # channel left +^C#7 C#4 # channel right -# shifted REPLACE button = DROP -^E7 D#7 +# other shifted buttons +^G7 D#7 # REW = DROP +^G#7 E7 # FFWD = REPLACE +^D7 D4 # LOOP = FLIP +^A7 C7 # STOP = MARKER +^A#7 C#7 # PLAY = NUDGE +# ^B7 # REC, currently unassigned # shifted top row = SELECT ^F7 C2 @@ -84,21 +121,52 @@ C#7 B3 # bank right ^CC22~ PB[129]-7 ^CC23~ PB[129]-8 +# fader goes to first channel in bank when shifted +^PB[]-9 PB-1 + +# ALT layer. This uses the same trick (the explicit RELEASE sequence) as in +# XTouchONE.midizaprc to transmit the MC SHIFT key (A#5) in the right order. + +# ALT top row = SHIFT+SELECT +2^F7 A#5 C2 RELEASE C2 A#5 +2^F#7 A#5 C#2 RELEASE C#2 A#5 +2^E3 A#5 D2 RELEASE D2 A#5 +2^F3 A#5 D#2 RELEASE D#2 A#5 +2^F#3 A#5 E2 RELEASE E2 A#5 +2^G3 A#5 F2 RELEASE F2 A#5 +2^G#3 A#5 F#2 RELEASE F#2 A#5 +2^A3 A#5 G2 RELEASE G2 A#5 + +2^A7 A#5 C7 RELEASE C7 A#5 # ALT+STOP = SHIFT+MARKER +2^A#7 A#5 C#7 RELEASE C#7 A#5 # ALT+PLAY = SHIFT+NUDGE + +2^G7 D8 # ALT+REW = LEFT +2^G#7 D#8 # ALT+FFWD = RIGHT +2^D7 E8 # ALT+LOOP = ZOOM +2^C7 C8 # ALT+A = UP +2^C#7 C#8 # ALT+B = DOWN + [MIDI2] # feedback for the BANK LEFT/RIGHT buttons A#3 C7 B3 C#7 -# dummy feedback for the faders, to take advantage of automatic feedback -# (see the alternative XTouchMini2.midizaprc configuration for some more -# comprehensive bindings which do some actual feedback using the LED rings -# of the encoders) -PB[]-1 NOP -PB[]-2 NOP -PB[]-3 NOP -PB[]-4 NOP -PB[]-5 NOP -PB[]-6 NOP -PB[]-7 NOP -PB[]-8 NOP +# We also provide feedback for the *faders* here, so that the current values +# are shown on the LED rings of the encoders while the faders are being +# operated. Note that the fader values are shown in "fan" mode (arc from zero +# to the current value) so that they're distinguishable from pan values which +# will be shown in "pan" mode (single tick indicating left/right position). + +# NOTE: This is still experimental. Overloading the encoders in this manner is +# convenient and seems to work reasonably well in Ardour at least, but having +# some encoders display pan and others volume may be confusing at times. + +PB[1536]{0}-1 CC48{33-43}' +PB[1536]{0}-2 CC49{33-43}' +PB[1536]{0}-3 CC50{33-43}' +PB[1536]{0}-4 CC51{33-43}' +PB[1536]{0}-5 CC52{33-43}' +PB[1536]{0}-6 CC53{33-43}' +PB[1536]{0}-7 CC54{33-43}' +PB[1536]{0}-8 CC55{33-43}' diff --git a/examples/XTouchMini2.midizaprc b/examples/XTouchMini2.midizaprc deleted file mode 100644 index 90fb205..0000000 --- a/examples/XTouchMini2.midizaprc +++ /dev/null @@ -1,110 +0,0 @@ - -# This is essentially the same as XTouchMini.midizaprc, but it assigns the -# shifted A/B keys to channel left/right, and also provides some other useful -# additional bindings and feedback on the SHIFT layer. - -# Copyright (c) 2018 Albert Graef - -# Copying and distribution of this file, with or without modification, are -# permitted in any medium without royalty provided the copyright notice and -# this notice are preserved. This file is offered as-is, without any -# warranty. - -JACK_NAME "midizap-XTouchMini" -JACK_PORTS 2 - -# automatic connections -JACK_IN1 X-TOUCH MINI MIDI 1 -JACK_IN2 ardour:mackie control out -JACK_OUT1 ardour:mackie control in -JACK_OUT2 X-TOUCH MINI MIDI 1 - -# Pass everything through, except for the translations below. - -PASSTHROUGH -SYSTEM_PASSTHROUGH - -# As with XTouchMini.midizaprc, the MC button is the shift key, holding it -# while pressing a button or operating the encoders provides additional MC -# functions. The other controls are assigned as usual in unshifted state, -# except that the A/B keys switch banks. When shifted, the master fader is -# assigned to the first channel, like on the X-Touch ONE, and the encoders -# become the eight channel faders. The bindings of the buttons are shown -# below, shifted bindings are indicated above and below in parentheses. - -# (SELECT) (SELECT) ... (CHAN LEFT) -# [CLICK] [SOLO] [TRACK] [SEND] [PAN] [PLUGIN] [EQ] [INST] [BANK LEFT] -# [SHIFT] [REPLACE] [REW] [FFWD] [LOOP] [STOP] [PLAY] [REC] [BANK RIGHT] -# (DROP) (MARKER) (NUDGE) (FLIP) (CHAN RIGHT) - -[MIDI] - -# MC = shift button, with direct feedback -D#7 SHIFT ^D#7 RELEASE SHIFT ^D#7 - -# A/B buttons on the right = bank left/right -C7 A#3 # bank left -C#7 B3 # bank right - -# shifted A/B buttons = channel left/right -^C7 C4 # channel left -^C#7 C#4 # channel right - -# other shifted buttons -^E7 D#7 # REPLACE = DROP -^G7 C7 # REW = MARKER -^G#7 C#7 # FFWD = NUDGE -^D7 D4 # LOOP = FLIP - -# SHIFT STOP/PLAY/REC are currently unassigned -# ^A7 # STOP -# ^A#7 # PLAY -# ^B7 # REC - -# shifted top row = SELECT -^F7 C2 -^F#7 C#2 -^E3 D2 -^F3 D#2 -^F#3 E2 -^G3 F2 -^G#3 F#2 -^A3 G2 - -# shifted encoders = channel faders -^CC16~ PB[129]-1 -^CC17~ PB[129]-2 -^CC18~ PB[129]-3 -^CC19~ PB[129]-4 -^CC20~ PB[129]-5 -^CC21~ PB[129]-6 -^CC22~ PB[129]-7 -^CC23~ PB[129]-8 - -# fader goes to first channel in bank when shifted -^PB[]-9 PB-1 - -[MIDI2] - -# feedback for the BANK LEFT/RIGHT buttons -A#3 C7 -B3 C#7 - -# We also provide feedback for the *faders* here, so that the current values -# are shown on the LED rings of the encoders while the faders are being -# operated. Note that the fader values are shown in "fan" mode (arc from zero -# to the current value) so that they're distinguishable from pan values which -# will be shown in "pan" mode (single tick indicating left/right position). - -# NOTE: This is still experimental. Overloading the encoders in this manner is -# convenient and seems to work reasonably well in Ardour at least, but having -# some encoders display pan and others volume may be confusing at times. - -PB[1536]{0}-1 CC48{33-43}' -PB[1536]{0}-2 CC49{33-43}' -PB[1536]{0}-3 CC50{33-43}' -PB[1536]{0}-4 CC51{33-43}' -PB[1536]{0}-5 CC52{33-43}' -PB[1536]{0}-6 CC53{33-43}' -PB[1536]{0}-7 CC54{33-43}' -PB[1536]{0}-8 CC55{33-43}' diff --git a/examples/XTouchONE.midizaprc b/examples/XTouchONE.midizaprc index 9204fd0..32cabf8 100644 --- a/examples/XTouchONE.midizaprc +++ b/examples/XTouchONE.midizaprc @@ -1,6 +1,12 @@ -# The X-Touch ONE is quite capable as it is, it just lacks a SHIFT key. -# The sole purpose of this utterly trivial config is to provide one. +# The X-Touch ONE is a very capable Mackie device as it is, but it can still +# be improved a bit with some midizap magic. Most notably, the device lacks a +# SHIFT key, so we remap one of the lesser-used keys to provide an extra +# shifted layer which can be assigned freely to additional MC functions which +# aren't readily available on the device. + +# NOTE: This config assumes that the X-Touch ONE is in its default Mackie +# mode. Otherwise you will have to adjust the mapping accordingly. # Copyright (c) 2018 Albert Graef @@ -12,23 +18,98 @@ JACK_NAME "midizap-XTouchONE" JACK_PORTS 2 -# automatic connections +# Automatic connections for the device and Ardour. JACK_IN1 X-Touch One MIDI 1 -JACK_IN2 ardour:mackie control out JACK_OUT1 ardour:mackie control in +JACK_IN2 ardour:mackie control out JACK_OUT2 X-Touch One MIDI 1 -# Pass everything through, except for the one mapping below. +# Pass everything through, except for the mappings below. PASSTHROUGH SYSTEM_PASSTHROUGH -# NOTE: This assumes that you use the default Mackie mode of the ONE. -# Otherwise you'll have to adjust the key mapping accordingly. I use the -# SCRUB key as a replacement (F8 in MC mode), because Ardour doesn't use -# it. If you do need that key, use another one that you can spare. - [MIDI] -F8 A#5 + +# I use the SCRUB key (F8 in MC mode) as the SHIFT key, because Ardour doesn't +# need it. YMMV, though, so if you need that key, you'll have to substitute +# another one that you can spare in the rule below. + +F8 SHIFT ^F8 RELEASE SHIFT ^F8 + +# Remap the shifted F1 .. F4 keys to do something useful. I have them bound to +# the most important encoder assignment keys here, but of course you can +# change them to anything you want. + +^F#4 E3 # Track (Trim in Ardour) +^G4 F#3 # Pan +^G#4 F3 # Send +^A4 G3 # Plugin (not supported by Ardour) + +# Remap the shifted F5 and F6 keys to F7 and F8 which are missing on the ONE. + +^A#4 C5 +^B4 C#5 + +# If you're using the encoder assignment keys, then most likely you also want +# to have a FLIP button; we (rather arbitrarily) assign it to the shifted SOLO +# button in the TRANSPORT section. + +^F#7 D4 # Flip + +# Since the X-Touch ONE is a single-channel controller, I like to have the +# bank and channel keys linked up with channel SELECT, so that the current +# channel is also selected in the DAW when switching banks. Therefore I have +# bound these functions to the shifted bank and channel keys here, but of +# course you can change them to anything you want. + +^A#3 A#3 C2 # BANK< SELECT +^B3 B3 C2 # BANK> SELECT +^C4 C4 C2 # CHAN< SELECT +^C#4 C#4 C2 # CHAN> SELECT + +# With the translations below, the other shifted buttons are simply passed +# through along with the MC SHIFT key (A#5). You can either assign these +# combinations in the DAW (e.g., I have the shifted left/right keys bound to +# the previous/next marker functions in Ardour), or just directly edit the +# bindings below as you see fit. + +# NOTE: We use an explicit RELEASE sequence here, to prevent the MC SHIFT key +# from being released too early. (Note that by default, midizap will release +# MIDI key events in the same order in which they are pressed, which may not +# work in some key combinations. At least I found that this confuses Ardour in +# some cases.) + +^C8 A#5 C8 RELEASE C8 A#5 # Up +^C#8 A#5 C#8 RELEASE C#8 A#5 # Down +^D8 A#5 D8 RELEASE D8 A#5 # Left +^D#8 A#5 D#8 RELEASE D#8 A#5 # Right +^E8 A#5 E8 RELEASE E8 A#5 # Zoom + +^C0 A#5 C0 RELEASE C0 A#5 # SHIFT REC +^G#0 A#5 G#0 RELEASE G#0 A#5 # SHIFT SOLO +^E1 A#5 E1 RELEASE E1 A#5 # SHIFT MUTE +^C2 A#5 C2 RELEASE C2 A#5 # SHIFT SELECT + +^C7 A#5 C7 RELEASE C7 A#5 # SHIFT MARKER +^C#7 A#5 C#7 RELEASE C#7 A#5 # SHIFT NUDGE +^D7 A#5 D7 RELEASE D7 A#5 # SHIFT CYCLE +^D#7 A#5 D#7 RELEASE D#7 A#5 # SHIFT DROP +^E7 A#5 E7 RELEASE E7 A#5 # SHIFT REPLACE +^F7 A#5 F7 RELEASE F7 A#5 # SHIFT CLICK + +^G7 A#5 G7 RELEASE G7 A#5 # SHIFT REW +^G#7 A#5 G#7 RELEASE G#7 A#5 # SHIFT FFWD +^A7 A#5 A7 RELEASE A7 A#5 # SHIFT STOP +^A#7 A#5 A#7 RELEASE A#7 A#5 # SHIFT PLAY +^B7 A#5 B7 RELEASE B7 A#5 # SHIFT REC [MIDI2] -A#5 F8 + +# feedback for the (shifted) F1 .. F6 bindings and the remapped SOLO key +E3 F#4 +F#3 G4 +F3 G#4 +A3 A4 +C5 A#4 +C#5 B4 +D4 F#7 # FLIP -> SOLO diff --git a/examples/XTouchONE2.midizaprc b/examples/XTouchONE2.midizaprc deleted file mode 100644 index f7564a8..0000000 --- a/examples/XTouchONE2.midizaprc +++ /dev/null @@ -1,149 +0,0 @@ - -# This is an improved configuration for the X-Touch ONE which uses an internal -# SHIFT key instead. Setting up your own bindings in midizap offers a lot more -# possibilities than relying solely on your DAW's mapping abilities (you can -# still use those in conjunction with midizap, too). - -# Copyright (c) 2018 Albert Graef - -# Copying and distribution of this file, with or without modification, are -# permitted in any medium without royalty provided the copyright notice and -# this notice are preserved. This file is offered as-is, without any -# warranty. - -JACK_NAME "midizap-XTouchONE" -JACK_PORTS 2 - -# automatic connections -JACK_IN1 X-Touch One MIDI 1 -JACK_IN2 ardour:mackie control out -JACK_OUT1 ardour:mackie control in -JACK_OUT2 X-Touch One MIDI 1 - -# Pass everything through, except for the mappings below. -PASSTHROUGH -SYSTEM_PASSTHROUGH - -[MIDI] - -# NOTE: This assumes that you use the default Mackie mode of the ONE. -# Otherwise you will have to adjust the mapping accordingly. I use the SCRUB -# key (F8 in MC mode) as the SHIFT key, because I don't need that function -# (it's not available in Ardour yet). If you need that key, you'll have to use -# another one that you can spare. - -F8 SHIFT ^F8 RELEASE SHIFT ^F8 - -# Remap the shifted F1 .. F4 keys to do something useful. I have them bound to -# the most important encoder assignment keys here, but of course you can -# change them to anything you want. - -^F#4 E3 # Track (Trim in Ardour) -^G4 F#3 # Pan -^G#4 F3 # Send -^A4 G3 # Plugin (not supported by Ardour) - -# If you're using the bindings above, then most likely you also need the FLIP -# button which swaps fader and encoder; we (rather arbitrarily) assign it to -# the shifted SOLO button in the TRANSPORT section. - -^F#7 D4 # Flip - -# Here's an alternative binding to the utility keys which you may find useful. -# Uncomment these lines (and comment out the encoder assignment section above) -# to use these instead. - -#^F#4 G#6 # Save -#^G4 A6 # Undo -#^G#4 A#6 # Cancel -#^A4 B6 # Enter - -# Remap the shifted F5 and F6 keys to F7 and F8 which are missing on the ONE. - -^A#4 C5 -^B4 C#5 - -# Since the X-Touch ONE is a single-channel controller, I like to have the -# bank and channel keys linked up with channel SELECT, so that the current -# channel is also selected in the DAW when switching banks. Therefore I have -# bound these functions to the shifted bank and channel keys here, but of -# course you can change them to anything you want. - -# NOTE: You might have to configure a bank size of 1 for the ONE, so that all -# tracks become accessible. A suitable device description for Ardour is -# included (see x-touch-one.device). - -^A#3 A#3 C2 # BANK< SELECT -^B3 B3 C2 # BANK> SELECT -^C4 C4 C2 # CHAN< SELECT -^C#4 C#4 C2 # CHAN> SELECT - -# Pass through the shifted cursor keys. This assumes that they're already -# mapped to something in the DAW; e.g., I have the shifted left/right keys -# bound to the previous/next marker functions in Ardour. - -# NOTE: We use an explicit RELEASE sequence here, so that the SHIFT key (A#5) -# is released last. By default, midizap will release MIDI key events in the -# same order in which they are pressed, which may not work in some key -# combinations, since the SHIFT key gets released too early. (At least I found -# that this confuses Ardour in some cases, YMMV.) - -^C8 A#5 C8 RELEASE C8 A#5 # Up -^C#8 A#5 C#8 RELEASE C#8 A#5 # Down -^D8 A#5 D8 RELEASE D8 A#5 # Left -^D#8 A#5 D#8 RELEASE D#8 A#5 # Right - -# With the translations below, most other shifted keys in the CHANNEL and -# TRANSPORT sections are simply passed through along with the SHIFT key as -# well. You can either assign these combinations in the DAW, or edit the -# bindings below. - -^C0 A#5 C0 RELEASE C0 A#5 # SHIFT REC -^G#0 A#5 G#0 RELEASE G#0 A#5 # SHIFT SOLO -^E1 A#5 E1 RELEASE E1 A#5 # SHIFT MUTE -^C2 A#5 C2 RELEASE C2 A#5 # SHIFT SELECT - -^C7 A#5 C7 RELEASE C7 A#5 # SHIFT MARKER -^C#7 A#5 C#7 RELEASE C#7 A#5 # SHIFT NUDGE -^D7 A#5 D7 RELEASE D7 A#5 # SHIFT CYCLE -^D#7 A#5 D#7 RELEASE D#7 A#5 # SHIFT DROP -^E7 A#5 E7 RELEASE E7 A#5 # SHIFT REPLACE -^F7 A#5 F7 RELEASE F7 A#5 # SHIFT CLICK - -^G7 A#5 G7 RELEASE G7 A#5 # SHIFT REW -^G#7 A#5 G#7 RELEASE G#7 A#5 # SHIFT FFWD -^A7 A#5 A7 RELEASE A7 A#5 # SHIFT STOP -^A#7 A#5 A#7 RELEASE A#7 A#5 # SHIFT PLAY -^B7 A#5 B7 RELEASE B7 A#5 # SHIFT REC - -# Experiment with shifted controls. This remaps the shifted fader, encoder and -# jog wheel on the ONE to CC1..CC3. As these controls aren't used by MCP, they -# can be assigned freely, e.g., to some plugin parameters, using MIDI learn. -# (To make this work in Ardour, you have to connect midizap's midi_out port to -# Ardour's MIDI control in port, in addition to the Mackie control in port.) - -# NOTE: Touching the fader also emits a note message (G#8), which will get in -# the way with MIDI learn, so we disable it here. - -^G#8 NOP -^PB[128]{0} CC1' -^CC16~ CC2 -^CC60~ CC3 - -[MIDI2] - -# feedback for the (shifted) F1 .. F6 bindings -E3 F#4 -F#3 G4 -F3 G#4 -A3 A4 - -D4 F#7 # FLIP -> SOLO - -#G#6 F#4 -#A6 G4 -#A#6 G#4 -#B6 A4 - -C5 A#4 -C#5 B4