Comment changes.
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@ -95,14 +95,14 @@
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# of MIDI messages we consider them as being "pressed" and then
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# "released" immediately afterwards.
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# In addition, control change, channel and key pressure, and pitch bend
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# messages can also have their value changes translated, in which case
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# they have associated key bindings which are executed each time the
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# value increases or decreases, respectively. Such bindings are
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# indicated with the suffixes "+" and "-". Thus, e.g., a key sequence
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# bound to CC7+ will be executed each time the value of controller 7
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# increases, and CC7- will be executed each time it decreases. The same
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# applies to channel and key pressure as well as pitch bend messages.
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# In addition, all messages except PC (which doesn't have a data value)
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# can also have their value changes translated, in which case they have
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# associated key bindings which are executed each time the value
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# increases or decreases, respectively. Such bindings are indicated
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# with the suffixes "+" and "-". Thus, e.g., a key sequence bound to
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# CC7+ will be executed each time the value of controller 7 increases,
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# and CC7- will be executed each time it decreases. The same applies to
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# channel and key pressure as well as pitch bend and even note messages.
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# You can also use the "=" suffix to indicate that the same translation
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# should be applied to both increases and decreases of the controller or
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# pitch bend value. Thus, e.g., CC7= indicates that the same
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@ -274,8 +274,9 @@
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# LEDs and the like, in which case the translations are often the
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# inverse of what's in the [MIDI] section.
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# This is the inverse of the translation in the [MIDI] section above,
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# mapping CC7 back to PB-9 (the MCU master fader), appropriately scaled.
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# Here we only map CC7 back to PB-9 (the MCU master fader). Please
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# check examples/APCmini.midizaprc for a more comprehensive example.
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CC7= PB[128]-9
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