Some improvements to the Maschine bindings.
- emulate shifted cursor keys and push encoders - SELECT, SOLO, MUTE are ordinary shift buttons now (no lock)
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@ -84,15 +84,24 @@ D#2 D8 # Left
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C#2 D#8 # Right
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C2 E8 # Zoom
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# These can also be shifted, so that you can bind them in the DAW if you
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# want. E.g., I have the previous/next marker functions on the shifted cursor
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# left/right keys in Ardour.
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^D2 A#5 C8 # Up
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^E2 A#5 C#8 # Down
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^D#2 A#5 D8 # Left
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^C#2 A#5 D#8 # Right
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^C2 A#5 E8 # Zoom
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# The Mk3 has one row of dedicated "channel buttons" at the top, right above
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# the display. Since we'd also like to use these for the channel-based
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# rec/solo/mute functions, we combine them with the SELECT, SOLO and MUTE
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# buttons as additional shift keys. These are "Caps Lock"-style keys which
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# stay on until pressed again.
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# buttons as additional shift keys.
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F#4 SHIFT2 ^F#4
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G4 SHIFT3 ^G4
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G#4 SHIFT4 ^G#4
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F#4 SHIFT2 ^F#4 RELEASE SHIFT2 ^F#4
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G4 SHIFT3 ^G4 RELEASE SHIFT3 ^G4
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G#4 SHIFT4 ^G#4 RELEASE SHIFT4 ^G#4
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# top row, unshifted: track select
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G6 C2
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@ -183,7 +192,7 @@ C#3 PC7-10
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# big encoder assigned to MCP jog wheel
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CC0~ CC60~
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# encoders mapped to MCP channel faders
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# encoders are mapped to the MCP channel faders
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# (MC uses pitch bends here, use 129 as step size to get full range)
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CC1~ PB[129]-1
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CC2~ PB[129]-2
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@ -206,7 +215,7 @@ CC9[] PB[129]-9
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^CC7~ CC22~
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^CC8~ CC23~
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# encoder touches
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# encoder touches = fader touches
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E7 G#8
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F7 A8
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F#7 A#8
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@ -217,6 +226,18 @@ A#7 D9
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B7 D#9
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D#7 E9
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# SELECT + encoder touches = push encoders -- we can't use SHIFT here since
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# touches might easily get triggered when the encoders are moved
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2^E7 G#2
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2^F7 A2
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2^F#7 A#2
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2^G7 B2
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2^G#7 C3
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2^A7 C#3
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2^A#7 D3
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2^B7 D#3
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2^D#7 E3
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# feedback section ########################################################
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[MIDI2]
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