# Mackie emulation for the NI Maschine Mk3 # Copyright (c) 2018 Albert Graef # Copying and distribution of this file, with or without modification, are # permitted in any medium without royalty provided the copyright notice and # this notice are preserved. This file is offered as-is, without any # warranty. JACK_NAME "midizap-Maschine" JACK_PORTS 2 SYSTEM_PASSTHROUGH # pass through MCP feedback # NOTE: At present, this controller isn't properly supported by ALSA, but it # can be made to work in Linux with Harry van Haaren's Ctlra software. Use # this version: https://github.com/agraef/openAV-Ctlra/tree/mapping_v1-ag # Run ctlra_daemon -fnm alongside with midizap, and connect the ports as # follows: Ctlra Maschine Mk3 -> midizap midi_in / midi_out -> Ardour mackie # control in / mackie control out -> midizap midi_in2 / midi_out2 -> Ctlra # Maschine Mk3. [MIDI] # We use the Mk3's dedicated SHIFT button as our primary shift key, to provide # alternative functions to some of the buttons and the faders. ?F2 SHIFT ^F2 RELEASE SHIFT ^F2 # transport (assigned to the transport section on the bottom left) F#5 A7 # Stop E5 A#7 # Play F5 B7 # Rec C5 D7 # Cycle (RESTART/Loop key) C#5 G7 # Rew (ERASE/Replace key) D5 G#7 # FFwd (TAP/Metro key) D#5 C#7 # Nudge (FOLLOW/Grid key) # additional functions on shifted keys ^C#5 D#7 # In (SHIFT ERASE/Replace key) ^F5 E7 # Out (SHIFT Rec key) ^D5 F7 # Click (SHIFT TAP/Metro key) ^D#5 C7 # Mark (SHIFT FOLLOW/Grid key) # switch between SMPTE and BBT timecode C#6 F4 # (MIDI/Channel key) # Bank/channel left/right (arrow keys in the top left section) E6 A#3 # Bank Left A5 B3 # Bank Right ^E6 C4 # Channel Left ^A5 C#4 # Channel Right # the four buttons below the arrow keys are assigned to the utility functions F6 G#6 # Save (SAVE/File key) G#5 A6 # Undo (SETTINGS key) F#6 A#6 # Cancel (AUTO key) G5 B6 # Enter (MACRO/Set key) # Track/Pan/Send/Instr (4 buttons right above the grid) # NOTE: Only Pan and Send appear to be supported in Ardour. G#3 E3 # Track (PAD MODE key) A3 F#3 # Pan (KEYBOARD key) A#3 F3 # Send (CHORDS key) B3 A3 # Instr (STEPS key) # the four buttons right above the touchstrip are used for the MC shift keys A4 A#5 # Shift (PITCH key) A#4 B5 # Control (MOD key) B4 C6 # Option (PERFORM key) D3 C#6 # Alt/Cmd (NOTES key) # big encoder press/left/right/up/down is assigned to the zoom/cursor keys D2 C8 # Up E2 C#8 # Down D#2 D8 # Left C#2 D#8 # Right C2 E8 # Zoom # The Mk3 has one row of dedicated "channel buttons" at the top, right above # the display. Since we'd also like to use these for the channel-based # rec/solo/mute functions, we combine them with the SELECT, SOLO and MUTE # buttons as additional shift keys. These are "Caps Lock"-style keys which # stay on until pressed again. ?F#4 SHIFT2 ^F#4 ?G4 SHIFT3 ^G4 ?G#4 SHIFT4 ^G#4 # top row, unshifted: track select G6 C2 G#6 C#2 A6 D2 A#6 D#2 B6 E2 C7 F2 C#7 F#2 D7 G2 # SELECT: rec 2^G6 C0 2^G#6 C#0 2^A6 D0 2^A#6 D#0 2^B6 E0 2^C7 F0 2^C#7 F#0 2^D7 G0 # SOLO: solo 3^G6 G#0 3^G#6 A0 3^A6 A#0 3^A#6 B0 3^B6 C1 3^C7 C#1 3^C#7 D1 3^D7 D#1 # MUTE: mute 4^G6 E1 4^G#6 F1 4^A6 F#1 4^A#6 G1 4^B6 G#1 4^C7 A1 4^C#7 A#1 4^D7 B1 # We also assign these to the function keys F1..F8 when shifted. You may want # to remap these as needed. ^G6 F#4 ^G#6 G4 ^A6 G#4 ^A#6 A4 ^B6 A#4 ^C7 B4 ^C#7 C5 ^D7 C#5 # The grid buttons are passed through unchanged, so that you can still use # them as drum pads (provided that you filter out all MIDI channels except # channel 10). Note that we use mod translations here, in order to preserve # the velocities. C3[]-10 C3-10 C#3[]-10 C#3-10 D3[]-10 D3-10 D#3[]-10 D#3-10 E3[]-10 E3-10 F3[]-10 F3-10 F#3[]-10 F#3-10 G3[]-10 G3-10 G#3[]-10 G#3-10 A3[]-10 A3-10 A#3[]-10 A#3-10 B3[]-10 B3-10 C4[]-10 C4-10 C#4[]-10 C#4-10 D4[]-10 D4-10 D#4[]-10 D#4-10 # Map the A..H buttons to program changes on channel 10 so that you can # quickly switch the sounds of your drumkit, drum patterns etc. (This is just # an example, you might want to disable these or remap them as you see fit.) F#2 PC0-10 G2 PC1-10 G#2 PC2-10 A2 PC3-10 A#2 PC4-10 B2 PC5-10 C3 PC6-10 C#3 PC7-10 # big encoder assigned to MCP jog wheel ?CC0~ CC60~ # encoders mapped to MCP channel faders # (MC uses pitch bends here, use 129 as step size to get full range) CC1~ PB[129]-1 CC2~ PB[129]-2 CC3~ PB[129]-3 CC4~ PB[129]-4 CC5~ PB[129]-5 CC6~ PB[129]-6 CC7~ PB[129]-7 CC8~ PB[129]-8 # master fader (touchstrip) CC9[] PB[129]-9 # encoders become the MCP encoders when shifted (CC16..CC23, incremental mode) ^CC1~ CC16~ ^CC2~ CC17~ ^CC3~ CC18~ ^CC4~ CC19~ ^CC5~ CC20~ ^CC6~ CC21~ ^CC7~ CC22~ ^CC8~ CC23~ # encoder touches E7 G#8 F7 A8 F#7 A#8 G7 B8 G#7 C9 A7 C#9 A#7 D9 B7 D#9 D#7 E9 # feedback section ######################################################## [MIDI2] # transport A7 F#5 $CC0 # reset all meters, see "meter" in the MCP feedback section below A#7 E5 B7 F5 # Rec D7 C5 # Cycle G7 C#5 G#7 D5 C#7 D#5 ^F7 D5 ^C7 D#5 # SMPTE/BBT F4 C#6 # channel left/right keys ?C4 E6 ?C#4 A5 # row above grid (track/pan/send/instr) E3 G#3 F#3 A3 F3 A#3 A3 B3 # feedback for the MC shift keys A#5 A4 # Shift B5 A#4 # Control C6 B4 # Option C#6 D3 # Alt/Cmd # zoom (as the big encoder itself has no led, we light up the 4 leds around it # instead; color: 4 = blue) E8 C#2[4] D2[4] D#2[4] E2[4] # select # NOTE: Ardour apparently doesn't update these when changing banks. ?C2 G6 ?C#2 G#6 ?D2 A6 ?D#2 A#6 ?E2 B6 ?F2 C7 ?F#2 C#7 ?G2 D7 # no feedback for encoders, only touchstrip PB[128]{0}-9 CC9' # MCP feedback (simply passed through, ctlra_daemon handles these # automagically). # rec/solo/mute ?C0[] C0 ?C#0[] C#0 ?D0[] D0 ?D#0[] D#0 ?E0[] E0 ?F0[] F0 ?F#0[] F#0 ?G0[] G0 ?G#0[] G#0 ?A0[] A0 ?A#0[] A#0 ?B0[] B0 ?C1[] C1 ?C#1[] C#1 ?D1[] D1 ?D#1[] D#1 ?E1[] E1 ?F1[] F1 ?F#1[] F#1 ?G1[] G1 ?G#1[] G#1 ?A1[] A1 ?A#1[] A#1 ?B1[] B1 # meter values ?CP[] CP # NOTE: We only report the values as we receive them here, there's no # automatic decay of the meters like with real Mackie hardware. Thus we # explicitly reset all meters when transport stops below. (Ardour at least # does *not* do that automatically.) NB: We use CC0 as a macro here, # hopefully this won't occur as real feedback? ?CC0[1] CP{0} CP{16} CP{32} CP{48} CP{64} CP{80} CP{96} CP{112} # timecode ?CC64[] CC64 ?CC65[] CC65 ?CC66[] CC66 ?CC67[] CC67 ?CC68[] CC68 ?CC69[] CC69 ?CC70[] CC70 ?CC71[] CC71 ?CC72[] CC72 ?CC73[] CC73