318 lines
6.5 KiB
Plaintext
318 lines
6.5 KiB
Plaintext
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# Mackie emulation for the NI Maschine Mk3
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# Copyright (c) 2018 Albert Graef <aggraef@gmail.com>
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# Copying and distribution of this file, with or without modification, are
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# permitted in any medium without royalty provided the copyright notice and
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# this notice are preserved. This file is offered as-is, without any
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# warranty.
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JACK_NAME "midizap-Maschine"
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JACK_PORTS 2
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SYSTEM_PASSTHROUGH # pass through MCP feedback
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# NOTE: At present, this controller isn't properly supported by ALSA, but it
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# can be made to work in Linux with Harry van Haaren's Ctlra software. Use
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# this version: https://github.com/agraef/openAV-Ctlra/tree/mapping_v1-ag
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# Run ctlra_daemon -fnm alongside with midizap, and connect the ports as
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# follows: Ctlra Maschine Mk3 -> midizap midi_in / midi_out -> Ardour mackie
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# control in / mackie control out -> midizap midi_in2 / midi_out2 -> Ctlra
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# Maschine Mk3.
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[MIDI]
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# We use the Mk3's dedicated SHIFT button as our primary shift key, to provide
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# alternative functions to some of the buttons and the faders.
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?F2 SHIFT RELEASE SHIFT
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# transport (assigned to the transport section on the bottom left)
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F#5 A7 # Stop
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E5 A#7 # Play
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F5 B7 # Rec
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C5 D7 # Cycle (RESTART/Loop key)
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C#5 G7 # Rew (ERASE/Replace key)
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D5 G#7 # FFwd (TAP/Metro key)
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D#5 C#7 # Nudge (FOLLOW/Grid key)
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# additional functions on shifted keys
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^C#5 D#7 # In (SHIFT ERASE/Replace key)
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^F5 E7 # Out (SHIFT Rec key)
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^D5 F7 # Click (SHIFT TAP/Metro key)
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^D#5 C7 # Mark (SHIFT FOLLOW/Grid key)
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# switch between SMPTE and BBT timecode
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C#6 F4 # (MIDI/Channel key)
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# Bank/channel left/right (arrow keys in the top left section)
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E6 A#3 # Bank Left
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A5 B3 # Bank Right
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^E6 C4 # Channel Left
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^A5 C#4 # Channel Right
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# the four buttons below the arrow keys are assigned to the utility functions
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F6 G#6 # Save (SAVE/File key)
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G#5 A6 # Undo (SETTINGS key)
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F#6 A#6 # Cancel (AUTO key)
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G5 B6 # Enter (MACRO/Set key)
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# Track/Pan/Send/Instr (4 buttons right above the grid)
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# NOTE: Only Pan and Send appear to be supported in Ardour.
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G#3 E3 # Track (PAD MODE key)
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A3 F#3 # Pan (KEYBOARD key)
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A#3 F3 # Send (CHORDS key)
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B3 A3 # Instr (STEPS key)
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# the four buttons right above the touchstrip are used for the MC shift keys
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A4 A#5 # Shift (PITCH key)
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A#4 B5 # Control (MOD key)
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B4 C6 # Option (PERFORM key)
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D3 C#6 # Alt/Cmd (NOTES key)
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# big encoder press/left/right/up/down is assigned to the zoom/cursor keys
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D2 C8 # Up
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E2 C#8 # Down
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D#2 D8 # Left
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C#2 D#8 # Right
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C2 E8 # Zoom
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# The Mk3 has one row of dedicated "channel buttons" at the top, right above
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# the display. Since we'd also like to use these for the channel-based
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# rec/solo/mute functions, we combine them with the SELECT, SOLO and MUTE
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# buttons as additional shift keys.
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?F#4 SHIFT2 RELEASE SHIFT2
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?G4 SHIFT3 RELEASE SHIFT3
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?G#4 SHIFT4 RELEASE SHIFT4
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# top row, unshifted: track select
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G6 C2
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G#6 C#2
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A6 D2
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A#6 D#2
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B6 E2
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C7 F2
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C#7 F#2
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D7 G2
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# SELECT: rec
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2^G6 C0
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2^G#6 C#0
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2^A6 D0
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2^A#6 D#0
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2^B6 E0
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2^C7 F0
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2^C#7 F#0
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2^D7 G0
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# SOLO: solo
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3^G6 G#0
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3^G#6 A0
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3^A6 A#0
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3^A#6 B0
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3^B6 C1
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3^C7 C#1
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3^C#7 D1
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3^D7 D#1
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# MUTE: mute
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4^G6 E1
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4^G#6 F1
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4^A6 F#1
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4^A#6 G1
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4^B6 G#1
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4^C7 A1
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4^C#7 A#1
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4^D7 B1
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# We also assign these to the function keys F1..F8 when shifted. You may want
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# to remap these as needed.
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^G6 F#4
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^G#6 G4
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^A6 G#4
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^A#6 A4
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^B6 A#4
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^C7 B4
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^C#7 C5
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^D7 C#5
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# The grid buttons are passed through unchanged, so that you can still use
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# them as drum pads (provided that you filter out all MIDI channels except
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# channel 10). Note that we use mod translations here, in order to preserve
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# the velocities.
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C3[]-10 C3-10
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C#3[]-10 C#3-10
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D3[]-10 D3-10
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D#3[]-10 D#3-10
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E3[]-10 E3-10
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F3[]-10 F3-10
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F#3[]-10 F#3-10
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G3[]-10 G3-10
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G#3[]-10 G#3-10
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A3[]-10 A3-10
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A#3[]-10 A#3-10
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B3[]-10 B3-10
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C4[]-10 C4-10
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C#4[]-10 C#4-10
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D4[]-10 D4-10
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D#4[]-10 D#4-10
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# Map the A..H buttons to program changes on channel 10 so that you can
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# quickly switch the sounds of your drumkit, drum patterns etc. (This is just
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# an example, you might want to disable these or remap them as you see fit.)
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F#2 PC0-10
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G2 PC1-10
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G#2 PC2-10
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A2 PC3-10
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A#2 PC4-10
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B2 PC5-10
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C3 PC6-10
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C#3 PC7-10
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# big encoder assigned to MCP jog wheel
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?CC0~ CC60~
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# encoders mapped to MCP channel faders
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# (MC uses pitch bends here, use 129 as step size to get full range)
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CC1~ PB[129]-1
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CC2~ PB[129]-2
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CC3~ PB[129]-3
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CC4~ PB[129]-4
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CC5~ PB[129]-5
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CC6~ PB[129]-6
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CC7~ PB[129]-7
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CC8~ PB[129]-8
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# master fader (touchstrip)
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CC9[] PB[129]-9
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# encoders become the MCP encoders when shifted (CC16..CC23, incremental mode)
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^CC1~ CC16~
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^CC2~ CC17~
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^CC3~ CC18~
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^CC4~ CC19~
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^CC5~ CC20~
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^CC6~ CC21~
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^CC7~ CC22~
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^CC8~ CC23~
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# encoder touches
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E7 G#8
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F7 A8
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F#7 A#8
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G7 B8
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G#7 C9
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A7 C#9
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A#7 D9
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B7 D#9
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D#7 E9
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# feedback section ########################################################
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[MIDI2]
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# transport
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A7 F#5 $CC0 # reset all meters, see "meter" in the MCP feedback section below
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A#7 E5
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B7 F5 # Rec
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D7 C5 # Cycle
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G7 C#5
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G#7 D5
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C#7 D#5
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^F7 D5
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^C7 D#5
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# SMPTE/BBT
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F4 C#6
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# channel left/right keys
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?C4 E6
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?C#4 A5
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# row above grid (track/pan/send/instr)
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E3 G#3
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F#3 A3
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F3 A#3
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A3 B3
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# feedback for the MC shift keys
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A#5 A4 # Shift
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B5 A#4 # Control
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C6 B4 # Option
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C#6 D3 # Alt/Cmd
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# zoom (as the big encoder itself has no led, we light up the 4 leds around it
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# instead; color: 4 = blue)
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E8 C#2[4] D2[4] D#2[4] E2[4]
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# select
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# NOTE: Ardour apparently doesn't update these when changing banks.
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?C2 G6
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?C#2 G#6
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?D2 A6
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?D#2 A#6
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?E2 B6
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?F2 C7
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?F#2 C#7
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?G2 D7
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# no feedback for encoders, only touchstrip
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PB[128]{0}-9 CC9'
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# MCP feedback (simply passed through, ctlra_daemon handles these
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# automagically).
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# rec/solo/mute
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?C0[] C0
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?C#0[] C#0
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?D0[] D0
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?D#0[] D#0
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?E0[] E0
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?F0[] F0
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?F#0[] F#0
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?G0[] G0
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?G#0[] G#0
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?A0[] A0
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?A#0[] A#0
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?B0[] B0
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?C1[] C1
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?C#1[] C#1
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?D1[] D1
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?D#1[] D#1
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?E1[] E1
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?F1[] F1
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?F#1[] F#1
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?G1[] G1
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?G#1[] G#1
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?A1[] A1
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?A#1[] A#1
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?B1[] B1
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# meter values
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?CP[] CP
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# NOTE: We only report the values as we receive them here, there's no
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# automatic decay of the meters like with real Mackie hardware. Thus we
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# explicitly reset all meters when transport stops below. (Ardour at least
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# does *not* do that automatically.) NB: We use CC0 as a macro here,
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# hopefully this won't occur as real feedback?
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?CC0[1] CP{0} CP{16} CP{32} CP{48} CP{64} CP{80} CP{96} CP{112}
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# timecode
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?CC64[] CC64
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?CC65[] CC65
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?CC66[] CC66
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?CC67[] CC67
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?CC68[] CC68
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?CC69[] CC69
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?CC70[] CC70
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?CC71[] CC71
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?CC72[] CC72
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?CC73[] CC73
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